M.T. Vasudevan Nair was not just a writer; he was a master storyteller who captured the heart and soul of Malayali life with unmatched depth and clarity. His writings have offered an exceptional portrayal of Kerala’s history and culture, reflecting not only the spirit of the people but also the sweeping societal transformations over the years.
With remarkable insight, he delved into life, often through the complex experiences within the feudal family framework of his period. In his celebrated novel Nalukettu, he depicts the life of a boy trapped in a world of darkness, poverty, and despair. His evolution mirrors the sweeping socio-economic changes in Kerala society. The transformation of the traditional Nalukettu, a symbol of the feudal era, into a modern nuclear family structure is symbolic of the societal restructuring happening at that time. No other writer represented the evolution of Malayali life in such a totality.
Sarah Joseph
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S. MAHINSHA
His characters were so powerful that they shook the very conscience of society. His language was distinct, and his portrayal of relationships was deeply moving. Even when depicting the confused, complex, and disillusioned mindset of youth, he managed to instill in them a sense of resilience and the will to fight against all odds. His influence on the Malayali mindset was immense, contributing significantly to the development of the community’s vision and culture.
M.T. gave us the experience of re-reading myths and folklore. He reconstructed the mythical characters to reflect contemporary reality. His celebrated characters, such as Bheeman in Randamoozham and Chandu in Oru Vadakkan Veeragatha, became iconic representations of this creative reimagining.
He is an exceptional talent who excelled in every field he pursued — writer, journalist, film director, and scriptwriter — consistently proving his brilliance. With an unmatched ability to thrive in any endeavour, his numerous awards, including the prestigious Jnanpith, celebrate his extraordinary success.
He possessed unwavering determination and executed his decisions with steadfast conviction. I had the privilege of serving on the executive committee when he was the president of the Kerala Sahitya Akademi, a position he held twice. He never allowed any opportunity for controversy. No political leader was ever permitted to interfere in the Akademi’s functioning.
In the case of Thunchanparambu, M.T. not only preserved Malayalam literature and culture in the name of Thunchath Ezhuthachan, the father of modern Malayalam Literature, but also transformed the space into one that is secular-democratic and accessible to all people, regardless of caste, religion, or gender. He stood as a staunch defender of the secular credentials of Thunchanparambu.
He was decisive in voicing his stance on socio-political issues. I had the opportunity to be with him in the peace mission after the Marad riots and the team that visited Muthanga soon after the police firing. His statement about the “deteriorating state of politics” left a powerful impact on society.
He was an insatiable reader, unmatched in his quest for knowledge. Always up to date, he bridged the entire world with Malayalam.
In fact, death once attempted to claim his life some time ago, but he made a remarkable comeback, returning stronger than ever and continuing his writing with renewed vigour. He lived a full life, marked by success and dignity. His passing is a great loss to society. However, he leaves behind an invaluable legacy through his immense contributions to the Malayalam language, history, cinema, and culture. No other writer in Malayalam has been honoured, loved and respected like M.T. Vasudevan Nair.
(As told to Mini Muringatheri)
Published – December 26, 2024 02:02 pm IST